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Karen Barbour

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate

September 8 - October 7, 2023

Installation View, Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, Installation View

blue horse

Blue Rinse, 2023

Work on paper

22 x 30 inches

arch work on paper

Three Spires and Beaded Arch, 2023

Work on paper
22 x 30 inches

new city work on paper

Going to Start a New City, 2023

Gouache, flashe and collage on paper

30 x 22 inches

blooming work on paper pink

Blooming Pinnacle Flowers, 2023

Sand glitter and flashe on paper

30 x 22 inches

foreign land work on paper light blue

We Frequently Think We’re in a Foreign Land, 2023

Collage, flashe, and gouache on paper
30 x 22 inches

dark blue work on paper

Bird Crossing the Alps, 2023
Collage, gouache, flashe and acrylic on paper

30 x 22 inches

black and pastels

One for Blue Flowers One for Pink Flowers, 2023

Oil and sand on wood with frame
14 x 14 inches

tree

Where the Fruits of the Trees are Jewels, 2023

Mixed media on canvas
18 x 18 inches

face orange

Combined Family Portrait, 2023

Oil on canvas
12 x 9 inches

abstract pastel colors

Sending Out A Lot of Static, 2023

Mixed media on canvas
14 x 11 inches

bird green

Strange Starling, 2023

Oil on wood
12 x 11 inches

floppy dog

It's Easier to Think About Floppy Dogs, 2023

Oil on canvas
14 x 11 inches

bird yellow

Don't Befowl Your Own Nest, 2023

Oil tacks and linen over wood
12 1/4 x 12 1/4 inches

swirl painting

Examining the Subterranean Level, 2023

Oil on canvas
74 x 68.5 inches

butterfly

In Your Dream You Don't Take Up Space, 2023

Oil on canvas
38 x 48 inches

pastels levitation

Double Levitation, 2023

Oil on canvas
72 x 61 inches
 

awake spell

Awake Spell, 2023

Oil on canvas
109 x 45 inches

Jack Hanley Gallery is pleased to present Halucina-tation Hall-Ucin-Ate hal-use-in-ation hal-luse-in-Ate, a solo exhibition with works by Karen Barbour. 

The title of this exhibition is taken from writings from Barbour's father when he was 102 years old and experiencing frequent hallucinations. Barbour’s works are often very personal and incorporate imagery drawn from dreams, the imagination, childhood memories and family folklore. The artist is informed equally by visual art and architecture along with pattern, decoration, and illustrative techniques. Her works evoke a cinematic landscape populated by abstract forms that interact in complex relationships. 

Speaking about her practice, Barbour says: “I have been working on most of these pieces for years, adding to them constantly. I write down thoughts and words – and things that I have read – in notebooks which I reference in the paintings. I have visions where images pop into my head on pretty much a daily basis, I constantly see stuff-- animals, houses, people, flower shapes, tree shapes, tower shapes and birds etc. that are moving like animations. If I sit down, my eyes start to make patterns and then pictures. If I look at the sky or the floor or a counter or tiles, the textures start to take shape and it’s very vivid and interesting to me. I immediately draw or paint these images because I tend to forget things very quickly and otherwise, they would disappear. The oil paintings too – they go through a lot of changes. The bigger ones pretty much started out as stacks of ‘parts’, to make a body or whatever, but over many years I would go back into them, continuously adding what was interesting to me at any given moment. It’s exciting to paint over something that already exists. This last year and a half I have started having more piercing visions and I discovered that I have temporal lobe seizures. Sitting with my 102-year-old father in his last years as he hallucinated and saw people and things on the ceiling and in the walls, feels parallel to what has been happening to me.”

Karen Barbour (b. 1956), lives and works in Inverness, CA. She received a BA at UC Davis and an MFA in Film from San Francisco’s Art Institute. Barbour has worked as an author and an illustrator, and over the past twenty years her work has been included in exhibitions in San Francisco, Los Angeles, and New York, among other places.